People communicate volumes through posture and gesture. I love sketching people in public spaces. What are the sources for your inspiration? Do you have a muse? Do you have a process you employ to generate ideas? He also exhibited an impeccable eye for typography.
#WEBROOT AND PHOENIX VIEWER MOVIE#
He would incorporate the same striking visuals in his poster design as in movie title sequences so the art was doing double duty. Saul Bass is a designer whose work I very much admire. I worked for many years as an art director at advertising agencies in Milwaukee where I would incorporate animation into what might have been traditional illustration.
I have always loved animation and have sought out ways to commingle illustration and motion art from my college days where I studied film and art history. How did you arrive at your current style. Her client work flows directly from her many sketchbooks. Nessim when I was a student at UW Milwaukee. I love how her work doesn't distinguish itself as either commercial or fine art. The work of Barbara Nessim I find inspirational. Is there an artist whose work you admire? What is it about their artwork that intrigues you? I admire their intelligence and playful adaptation of historical styles.
That is where I learned about the artists from Pushpin Studios.
I took classes in illustration as part of the design program in college. I have drawings and artwork that date back to when I was in grade school. How old were you when first realized you wanted to become an artist?įrom the time I was about six I knew I wanted to be an artist.ĭo you still have any of your early artwork?
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